The magic of mediums is that there is a painting medium for just about every type of application, especially with acrylics. Want to paint very texturally? Impasto Gel or Modelling Compound. Want matte paint? Matte Medium & Varnish. Need more working time? Slow or Thick Slow Medium. But sometimes you’ll find that there is one […]
Barry Sholder demonstrates his “Bigger & Bolder” watercolor technique using Atelier Interactive Professional Artists’ Acrylics. […]
Keith Norris demostrates Atelier Interactive Professional Artists’ Acrylics in a mixed media style. […]
Artist Mitch Waite clearly demonstrates the advantages of being able to use a water sprayer to re-wet and re-work Atelier Interactive. Courtesy of the SAA and the Painting and Drawing Channel. […]
Artist Mitch Waite clearly demonstrates the advantages of being able to use a water sprayer to re-wet and re-work Atelier Interactive. Courtesy of the SAA and the Painting and Drawing Channel. […]
Artist Mitch Waite clearly demonstrates the advantages of being able to use a water sprayer to re-wet and re-work Atelier Interactive. Courtesy of the SAA and the Painting and Drawing Channel. […]
Artist Mitch Waite clearly demonstrates the advantages of being able to use a water sprayer to re-wet and re-work Atelier Interactive. Courtesy of the SAA and the Painting and Drawing Channel. […]
When one thinks of printing we usually think of etchings, aquatints or lithographs that require specialized equipment, hazardous chemicals and most importantly a press. However there are many techniques that can be done simply, quickly and are great fun. Artist Lynn Norris from the U.K shows how you can take the mystery out of printing […]
Join PA Marilyn Allis as she uses Interactive Acrylics to interpret a wet day in a Dominican market The Caribbean Island of Dominica was full of colour, even in the warm rain that poured down on us for half an hour. This market scene was so appealing to paint; I loved the colours and the […]
For a long time, I have painted sheep and other farm animals. I don’t know why, but I find them very haunting – I think it’s something about their eyes and their presence. Recently I was asked to paint a portrait of a sheep, so I decided to use some of the new traditional Atelier […]
