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The Exploration of Jon Molvig

Self-portrait, 1948 Oil on canvas on hardboard / 34.5 x 29cm / City of Brisbane Collection, Museum of Brisbane   This digital section continues the exploration of Jon Molvig’s work Thoughts from Jim Cobb I have set out in this digital section a series of Molvig’s paintings, which were photographed at his exhibition at the […]

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Tricia Reust | Atelier New Mediums

Tricia Reust –  “Day’s Promise ” – Atelier Interactive on watercolour paper using Heavy Gel (Satin) Anyone who is interested in our new Atelier  “Viscosity Ladder” mediums and would like to understand them better should watch the Tricia Reust video below. You will find everything you need to know in this video, but as a […]

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Conversations with Alice

Jim Cobb – ‘N’dala near Ross River Resort’ – Atelier Interactive on watercolour paper using the Thick Painting Medium We are having an exhibition at Gallery Lane Cove in Sydney of work done by artists who attended the Ross River Resort in central Australia in July 2018, which is organized annually by artist Bela Ivanyi. […]

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No-Press Printing with Tricia Reust

The Atelier paint is a wonderful substitution for printing ink – once it is dry, it remains stable and does not mix with any other wet medium placed over the top; and it is easy to clean up after the printing process. The wide range of colours ensures that your prints harmonise with your other […]

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Mixing Media with Atelier Free Flow

One of the truly innovative and useful features of Atelier Free Flow is its ability to accept other media, such as soft pastel, charcoal, ink or marker. Of course, its consistency, ease of use and brilliant matte finish make Free Flow a wonderful paint, but for artists who like to include other media into their […]

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Experiments in Pouring

Acrylic pouring, by its nature, lends itself to experimentation, and the more that you do, the more you’ll understand about what colors work together, how much medium to add, what additives to try, etc. As the saying goes, you learn about painting by painting; our updated version would be that you learn about pouring by […]

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Basics of Blending

When it comes to smooth transitions in paintings, the most natural and intuitive way to suggest this is by blending. It’s easy to do with oil paint, but because of the fast-drying nature of acrylics, blending has been incredibly challenging with acrylics. Happily, blending is easy with Atelier Interactive, because it is the only acrylic […]

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Magic of Mediums: Clear Painting Medium

The magic of mediums is that there is a painting medium for just about every type of application, especially with acrylics. Want to paint very texturally? Impasto Gel or Modelling Compound. Want matte paint? Matte Medium & Varnish. Need more working time? Slow or Thick Slow Medium. But sometimes you’ll find that there is one […]

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Caribbean adventure with British artist – Marylin Allis

Join PA Marilyn Allis as she uses Interactive Acrylics to interpret a wet day in a Dominican market The Caribbean Island of Dominica was full of colour, even in the warm rain that poured down on us for half an hour. This market scene was so appealing to paint; I loved the colours and the […]

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New Atelier Mediums – Electric Sheep

For a long time, I have painted sheep and other farm animals. I don’t know why, but I find them very haunting – I think it’s something about their eyes and their presence. Recently I was asked to paint a portrait of a sheep, so I decided to use some of the new traditional Atelier […]

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